![]() He's also known for his work on films like Total Recall, The Green Hornet, Whiskey Tango Foxtrot, Gone Girl, Muppets Most Wanted, and The Social Network.Ĭioni will be heading up the new L.A. Cioni is known in the industry for creating creative services company Light Iron in 2009 and spearheading the Millennium DXL 8K large-format camera system at Panavision. This initiative was announced in October alongside the appointment of Michael Cioni, previously of Panavision, to Frame.io Global SVP of Innovation. It will also open an L.A.-based office and showroom next year, invest further in security, develop a set of (still to be announced) new products, and deliver on its so-called "camera to cloud" initiative. With the added capital, the startup plans to double its product, design, and engineering teams from 40 people to 80, growing its total team from 110 to 240. He declined to speak to Frame.io's profitability or current valuation, however.įrame.io claims its customer base is 60% more efficient after adopting its solution, 41% more likely to hit their project deadlines, and are able to produce 39% more videos per month, on average. Of its 1 million active customers, Wells tells TechCrunch around 17,000 are from paying accounts. ![]() createPath in 3D space.Since launch, Frame.io has been adopted by a number of larger customers, including Turner Broadcasting, Disney, NASA, Snapchat, BBC, BuzzFeed, TED, Adobe, Udemy, Google, Fox Sports, Media Monks, Ogilvy, and VICE Media.Creating a new Library combining several others by Rikki Blow Apple Final Cut Pro X.Dan Ebberts on createPath in 3D space.Rikki Blow on Creating a new Library combining several others Apple Final Cut Pro X.Mads Nybo jørgensen on Creating a new Library combining several others Apple Final Cut Pro X.Just dreaming out loud: not sure any of these ideas are viable.Ĭreate Your Profile on Creative COW’s Resume Board! Something like the DUST sci fi streaming channel. I can imagine Netflix creating a special branch for this, which they then mine for content for the main Netflix service. Maybe a movie studio, or a group of studios pooling some resources, to create a platform that’s a walled garden and a farm club for growing their own talent pools. This is the kind of situation where a white knight venture capitalist billionaire buys out the company as a vanity project. If you can make the case that adding a “premium tier” service to YouTube is a plus for them? But they’re not hurting for business now. They have to get something out of it as well. But YouTube isn’t going to be interested in charity work. Like YouTube could buy them and help them with the scaling problem, funding their infrastructure. Unless they let someone bigger take them over. It’s just not financially sustainable for them now. Their niche was quality over size, and it built a loyal brand on that. Vimeo was a quality platform for a wider audience than Frame IO is meant for. If you were using Vimeo as a point to point source for an audience of one client, Frame IO is a much better solution anyhow. The company also says that it’ll alert users when they go over that 2TB limit,įrame IO is not the same thing, or used the same way, not really. Previously, the policy was applied to users who were repeatedly “in the top 1% of bandwidth usage,” which Vimeo itself admits could’ve been more transparent. Vimeo says that its new cap for monthly bandwidth use is a flat 2TB. More here and their 2TB bandwidth threshold. We are a B2B solution, not the indie version of YouTube.” In a letter to shareholders in February, Sud spells the shift out in black and white: “Today we are a technology platform, not a viewing destination. The ultimatums to indie video creators come as Vimeo is shifting focus toward large corporate clients - leaving longtime Vimeo users to scramble for an alternative. Vimeo is telling creators to suddenly pay thousands of dollars - or leave the platform
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |